Friday, June 22, 2018

Review of Fare Thee Well by Joel Selvin

Image of Fare Thee Well: The Final Chapter of the Grateful Dead's Long, Strange Trip
Author: Joel Selvin
Release Date: June 19, 2018
Publisher: Da Capo Press
Pages: 308
When the Grateful Dead convened on December 7, 1995, four months after bandleader and guitarist Jerry Garcia’s death, the remaining “core four” members decided to bring their collaboration to a close. Bob Weir, Phil Lesh, Mickey Hart, and Bill Kreutzmann had their publicist draft a press release announcing the end of the band. But as we know, the story did not end there.

In the months and years to follow, they each embarked on new music and business ventures: Weir toured his band RatDog; Hart released an album, Mystery Box; and Lesh fronted a rotating cast of musicians in the group Phil and Friends. But tensions persisted—Lesh in particular became increasingly absent from Grateful Dead business meetings—as the core four struggled with defining their legacy.

“It seemed almost sacrilegious to consider replacing Garcia, but there was a need among the band to come to some decision. These men were tired, bereaved, frustrated, and scared, with the enormous weight of the massive Grateful Dead organization on their shoulders and, without Garcia, no idea how they were going to hold it up . . . There were many items on the agenda, but staring everybody in the face was the most basic decision that needed to be made about the band’s future—how they would continue.”

Fare Thee Well: The Final Chapter of the Grateful Dead’s Long, Strange Trip by Joel Selvin takes readers on a turbulent behind the scenes journey as the surviving members of this iconic rock band struggle through two decades of petty squabbles and bickering that eventually led to a fragile compromise and reunion tour in 2015.

Joel Selvin is an award-winning journalist and San Francisco based music critic, who is best known for his weekly column in the San Francisco Chronicle that ran from 1972 to 2009. His books have covered various aspects of pop music and include the New York Times bestseller, Red: My Uncensored Life in Rock with Sammy Hagar (2011).

Fare Thee Well is a comprehensive and thorough tell-all biography; Selvin does an exceptional job of conveying the struggles and emotions that gripped members of the band in the years that followed the untimely death of Jerry Garcia. Without his leadership and Zen like approach to business and life, surviving members were left rudderless, descending into a pit of despair and petty disagreements that often led to deep wounding personal hurts and grudges.

Selvin explores in great detail almost every dispute and jubilantly concludes the narrative with the bands all too brief 50th anniversary reunion tour. The five concerts were billed as "Fare Thee Well: Celebrating 50 Years of the Grateful Dead.” The shows were performed on June 27 and 28 at Levi's Stadium in Santa Clara, California, and on July 3, 4 and 5 at Soldier Field in Chicago, Illinois. The band stated that this would be the final time the core four would perform together. Demand for tickets was high and anticipation from rapid fans was feverish.

“Signs hung from practically every bar, ‘Welcome Deadheads.’ Next Soldier Field, the Field Museum of Natural History got into the act, draping the entrance with three giant banners of dancing tyrannosaurs wearing crowns of roses by psychedelic poster artist Stanley Mouse, who created the original skull and roses for the Dead.”

Overall, Fare Thee Well is a passionate and well-written exposé of the behind the scenes action of one of rock and roll’s most iconic bands and a must read for all “Deadheads” and casual rock historians. Oh, what a long, strange trip it has been.

Michael Thomas Barry is a staff reviewer for the New York Journal of Books and the award winning author of eight nonfiction books.

This review first appeared at the New York Journal of Books on June 21, 2018 - https://www.nyjournalofbooks.com/book-review/grateful-deads

Tuesday, June 12, 2018

Review of Autumn in Venice by Andrea di Robilant

Author: Andrea di Robilant
Release date: June 5, 2018
Publisher: AA Knopf
Pages: 352

In the fall of 1948 Ernest Hemingway and his fourth wife Mary traveled to Europe, staying in Venice for a few months. He was a year shy of his 50th birthday and hadn't published a novel in nearly a decade. During a hunting expedition he met and fell in love with 18-year-old, Adriana Ivancich, a strikingly beautiful Venetian girl just out of finishing school.
“Lovely, seductive, mischievous Adriana became Hemingway’s muse in the most classical sense. She brought joy to his life, inspired him, made him feel young again . . . her presence helped to fill the dried-up well of his creative juices, leading to a remarkable literary flowering in the late season of his life.”
It has been alleged that he used her as the model for Renata in Across the River and Into the Trees and that she traveled to Cuba to see him as he wrote, The Old Man and the Sea. Nearly six decades after Hemingway’s suicide, Andrea di Robilant attempts to reconstruct this rarely written about and mysterious relationship in his new book, Autumn in Venice: Ernest Hemingway and his Last Muse. Robilant is the author of several books that include A Venetian Affair (2005), Lucia: A Venetian Life in the Age of Napoleon (2008), and Chasing the Rose: An Adventure in the Venetian Countryside (2014). The author claims that his great uncle was part of Hemingway’s social circle in Venice.
Generally regarded as past his prime, Hemingway at the time had been suffering from writer’s block and hadn’t published a book in nearly a decade. One day, he is introduced to Adriana Ivancich and is immediately smitten with the naïvely attractive young woman. According to the author, this relationship “took over his life” and she became his muse. They spent countless hours together in Venice and Cuba, all under the watchful eye of Hemingway’s wife. Meeting his muse around town, Hemingway seemed unaware of the nasty chatter he was generating for Adriana. While his wife, Mary was tolerant of his crush as long as it remained nonsexual and it made him happy.
In this methodically researched account of Ernest Hemingway’s obsession with a much younger woman, Robilant draws heavily on previously unpublished letters and journals. He alleges that this relationship helped to produce some of Hemingway’s best works including The Old Man and The Sea, stating “Adriana made all this possible . . . No question in my mind, she revived Hemingway’s writing.”
Autumn in Venice effortlessly and expertly explores the secret desires, successes, and depressive obstacles that shrouded Ernest Hemingway’s final productive years. It ultimately falls short of fully answering the basic premise of whether or not Hemingway and Ivancich’s relationship remained purely platonic. In the end, Robilant does succeed in acknowledging that the malicious rumors of the affair did severely impact Adriana and because of such treatment (fairly or unfairly), she suffered years of depression that ultimately led to her own suicide.
Michael Thomas Barry is a staff reviewer for the New York Journal of Books and the author of eight nonfiction books.
Review first appeared at the New York Journal of Books on June 11, 2018 - https://www.nyjournalofbooks.com/book-review/autumn-venice

Friday, June 8, 2018

Review of Alone Time by Stehanie Rosenbloom

Author: Stephanie Rosenbloom
Release Date: June 5, 2018
Publisher: Viking Books
Pages: 288

“Alone time gives us permission to pause, to relish the sensual details of the world rather than hurtling through museums and uploading photos to Instagram.”
In a society that is becoming more and more distracted, many people are genuinely fearful of the prospect of solitude but being alone can have its benefits, especially when traveling. Solo travel is becoming increasingly popular. Intrepid Travel, one of the largest adventure travel companies in the world, reports that half of its guests—some 75,000 people a year—are now traveling by themselves. Airbnb is seeing more solo travelers than ever. The number of searches on Google shows that solo travel is twice as popular as it was three years ago. But for many people, solitude is something to be avoided at all costs and associated with problems such as loneliness and depression.
“Solitude and its perils is an ancient and instructive story. But it’s not the whole story. The company of others, while fundamental, is not the only way of finding fulfillment in our lives.”
In Alone Time: Four Seasons, Four Cities, and the Pleasures of Solitude, New York Times travel staff columnist Stephanie Rosenbloom delves into the health benefits of traveling alone. The book spans one year and is divided into four parts with each section set in a new city during a different season. Sections include Paris, Istanbul, Florence, and New York. All are walking cities and people friendly and the text includes topics such as dining alone, learning to savor, discovering interests and passions, and finding or creating silent spaces.
Through on the ground reporting, insights from mental health and social science professionals and recounting the experiences of artists, writers, and innovators, Rosenbloom considers how traveling alone helps deepen the appreciation for everyday beauty, bringing into sharp relief the sights, sounds, and smells that one isn’t necessarily attuned to in the presence of company.
“Alone time is an invitation. A chance to do things you’ve been wanting to do. . . . You need not carry on polite conversation. You can go to a park. You can go to Paris. You’d hardly be alone.”
As someone who’s a string believer in the healing power of alone time, this book is personal and thought-provoking. As Rosenbloom writes, “Time spent away from the influence of others allows us to explore and define who we are.”
Overall, Alone Time is an excellent blend of intimate, in depth recollections of traveling alone as well as a self-help guide to mindfulness. It is a fascinating, light read and highly recommended for anyone planning on visiting the cities discussed. But be warned there is some repetitiveness in phrasing that is somewhat distracting, but with that aside, the pure joy of reading about these delightful cities negates any pitfalls. Overall, Rosenbloom’s writing style is warm and engaging and will most definitely have readers eager to set off on their own solo travels.
Michael Thomas Barry is a Staff reviewer for the New York Journal of Books and the author of eight nonfiction books.

The review first appeared at the New York Journal of Books on June 7, 2018 - https://www.nyjournalofbooks.com/book-review/alone-time