Review of Bridge of Clay by Markus Zusak

Author: Markus Zusak

Release Date: October 9, 2018

Publisher: Knopf

Pages: 544

Buy from Amazon: https://www.amazon.com/Bridge-Clay-Signed-Markus-Zusak/dp/0375845593/ref=sr_1_1?ie=UTF8&qid=1539960078&sr=8-1&keywords=bridge+of+clay

“In the beginning there was one murderer, one mule and one boy, but this isn’t the beginning . . . Yes, always for us there was a brother, and he was the one—the one of us amongst five of us—who took all of it on his shoulders.”

The five Dunbar brothers are living with their menagerie of pets in the perfect chaos of a house made by their own rules. Today, the father who walked out on them long ago walks back in. And so, the life of Clay, the quiet one with a harrowing secret, is about to change forever. He is the one who will build a bridge, for greatness, for his sins. A miracle and nothing less. From a grandfather, whose parents’ passion for the ancient Greeks still lights up their lives, to a mother and father who fell in love over a mislaid piano, to the present day, where five sons laugh and fight and reckon with the adult word.

Bridge of Clay is an extraordinarily brilliant but tragically poignant tale of family secrets and how one boy risks everything to save it all. New York Times bestselling author Markus Zusak makes his much-anticipated return with this powerful and deeply genuine story. He is the author of six novels including The Book Thief and I Am the Messenger. 

“Let me tell you about our brother. The fourth Dunbar boy named Clay. Everything happened to him. We were all of us changed through him.”

Bridge of Clay is an enormously ambitious undertaking and Zusak’s views about the power of love are refreshing and inspiring. A novel of contrasts, it shows a world that is both kind and loving but also cruel and hateful. The character development is intricate and extraordinary, allowing for a deep understanding of all that is possible within the realm of the human spirit—an animated and heartfelt journey that is filled with moving descriptions of family and loss and the quest for a miracle.

Be advised this novel is not an easy book to read and takes a tremendous amount of effort and stamina, but the completion is phenomenally rewarding. Interwoven with touches of romance and wit: it is obvious that Zusak was bound and determined to celebrate the quirks and idiosyncrasies of flawed people living in an imperfect world. Beautifully written and thought provoking, Bridge of Clay will tug at your heart strings; and at the essential core of the novel is the delightfully uplifting message that life tends to find a way to make things right in the end.

Michael Thomas Barry is a staff reviewer for the New York Journal of Books and the award winning author of eight nonfiction books.

Review first appeared at the New York Journal of Books on October 19, 2018 - https://www.nyjournalofbooks.com/book-review/bridge-clay

Review of Autumn in Venice by Andrea di Robilant

Author: Andrea di Robilant

Release date: June 5, 2018

Publisher: AA Knopf

Pages: 352

Buy from Amazon: https://www.amazon.com/Autumn-Venice-Ernest-Hemingway-Last/dp/1101946652/ref=sr_1_1?ie=UTF8&qid=1528837601&sr=8-1&keywords=autumn+in+venice

In the fall of 1948 Ernest Hemingway and his fourth wife Mary traveled to Europe, staying in Venice for a few months. He was a year shy of his 50th birthday and hadn't published a novel in nearly a decade. During a hunting expedition he met and fell in love with 18-year-old, Adriana Ivancich, a strikingly beautiful Venetian girl just out of finishing school.

“Lovely, seductive, mischievous Adriana became Hemingway’s muse in the most classical sense. She brought joy to his life, inspired him, made him feel young again . . . her presence helped to fill the dried-up well of his creative juices, leading to a remarkable literary flowering in the late season of his life.”

It has been alleged that he used her as the model for Renata in Across the River and Into the Trees and that she traveled to Cuba to see him as he wrote, The Old Man and the Sea. Nearly six decades after Hemingway’s suicide, Andrea di Robilant attempts to reconstruct this rarely written about and mysterious relationship in his new book, Autumn in Venice: Ernest Hemingway and his Last Muse. Robilant is the author of several books that include A Venetian Affair (2005), Lucia: A Venetian Life in the Age of Napoleon (2008), and Chasing the Rose: An Adventure in the Venetian Countryside (2014). The author claims that his great uncle was part of Hemingway’s social circle in Venice.

Generally regarded as past his prime, Hemingway at the time had been suffering from writer’s block and hadn’t published a book in nearly a decade. One day, he is introduced to Adriana Ivancich and is immediately smitten with the naïvely attractive young woman. According to the author, this relationship “took over his life” and she became his muse. They spent countless hours together in Venice and Cuba, all under the watchful eye of Hemingway’s wife. Meeting his muse around town, Hemingway seemed unaware of the nasty chatter he was generating for Adriana. While his wife, Mary was tolerant of his crush as long as it remained nonsexual and it made him happy.

In this methodically researched account of Ernest Hemingway’s obsession with a much younger woman, Robilant draws heavily on previously unpublished letters and journals. He alleges that this relationship helped to produce some of Hemingway’s best works including The Old Man and The Sea, stating “Adriana made all this possible . . . No question in my mind, she revived Hemingway’s writing.”

Autumn in Venice effortlessly and expertly explores the secret desires, successes, and depressive obstacles that shrouded Ernest Hemingway’s final productive years. It ultimately falls short of fully answering the basic premise of whether or not Hemingway and Ivancich’s relationship remained purely platonic. In the end, Robilant does succeed in acknowledging that the malicious rumors of the affair did severely impact Adriana and because of such treatment (fairly or unfairly), she suffered years of depression that ultimately led to her own suicide.

Michael Thomas Barry is a staff reviewer for the New York Journal of Books and the author of eight nonfiction books.

Review first appeared at the New York Journal of Books on June 11, 2018 - https://www.nyjournalofbooks.com/book-review/autumn-venice